The Dream

The Dream

Since my other site is pretty-much defunct, I thought I’d share some of my writing here at Aspie Daddy. I wrote this story in late 2015 for a competition on the theme ‘heart’. It was about my fears at becoming a new father. I have submitted it to various places and have received much positive feedback. However, several places have said it is too sad for them. I thought it was too good to leave wasting away on my hard drive as it might actually help people in the same situation. Let me know in the comments what you think.

 

The Dream by Gillan Drew

The new parents looked up as the midwife entered the room, the little bundle in her arms wrapped in a white blanket.

‘Here she is!’ she announced cheerily. ‘Who wants to be the first to hold her?’

‘I’ll have her,’ said Stephanie, over on the bed. She wore a light blue dressing gown over her hospital smock – it made her face, pale from blood loss and the ordeal of the birth, look grey in the strip lighting.

‘Be sure to support her head,’ said the midwife, a broad fifty-something with a Geordie accent.

The girl took her baby, careful to place the little one’s head in the crook of her arm, and looked down into her face.

‘Hello,’ said Stephanie. ‘I’m your mummy.’

‘Do you have a name picked out for her?’ the midwife asked.

‘Yes: Cora.’

‘That’s a lovely name.’

‘Tom chose it, didn’t you, Tom?’

Slumped in a chair in the corner, his face as pale as his wife’s and black bags under his eyes, Tom merely grunted.

‘Do you want to see her?’ the midwife asked.

Tom shook his head. ‘I’m good,’ he said.

‘You’re sure?’

‘Really,’ said Tom.

Stephanie rocked the baby in her arms. ‘How much does she weigh?’

‘Eight pounds,’ said the midwife. ‘A good size.’

‘You hear that?’ the girl said, nuzzling close to her daughter. ‘You’re a good size. No wonder mummy found it so hard to get you out.’

It had been a horrible labour, coming on the end of a horrible pregnancy. Nine months of morning sickness and mood swings had given way to twenty-six hours of agony, which culminated in an injection into Stephanie’s spine, followed by a ventouse suction cup on the baby’s head and, ultimately, forceps. She was still numb below the chest, unable to get off the bed.

Looking over at Tom, Stephanie smiled. ‘She has your nose,’ she said. ‘My good looks, of course. She’s the most beautiful thing I’ve ever seen. You need to come look at her.’

Tom shook his head again.

Unfazed, Stephanie pushed up the woolly pink hat on Cora’s head. ‘Dark hair! Like your daddy.’

‘They normally lose that in the first few months,’ said the midwife. ‘Then it grows back the colour it’s going to be.’

‘What colour are her eyes?’

‘I imagine they’re blue,’ said the midwife. ‘They normally are with newborns. Do you want me to have a look?’

‘No, that’s okay,’ said Stephanie. Reaching inside the blanket, Stephanie pulled out Cora’s hand. ‘Look at those little fingers,’ she said. ‘They’re so perfect.’ She looked over at Tom again. ‘I can’t believe we managed to make something so perfect.’

Tom looked away.

‘Please come and meet her,’ said Stephanie, and for the first time her voice started to crack. ‘Please don’t be like this.’

‘You really should come and hold her,’ the midwife urged.

‘Why?’ Tom asked. ‘What’s the point?’

Stephanie let out a sob.

Sighing, Tom studied his feet for a few moments before his shoulders sagged. ‘Fine,’ he said, standing in one swift movement. His legs ached from all those hours standing by the bedside, flitting between hope and despair.

‘Thank you,’ Stephanie whispered, her eyes glazing with tears.

‘I won’t be holding her long,’ he replied. ‘I’m only doing this for you.’

‘You’re doing it for all of you,’ said the midwife as Stephanie eased the little bundle into Tom’s arms.

‘Careful of her head,’ she said.

‘I know,’ Tom replied. He’d practiced for months on dolls and teddy bears and in his dreams – he knew exactly what to do.

He was struck by how light Cora was. Stephanie had put on almost two stone during the pregnancy, and the baby was only a quarter of that. And she was no bigger than a rugby ball, when Stephanie had been huge – still was, he thought, as though Cora was still inside, still waiting to be born.

There was a tight band about his chest and the lump in his throat burned, but he wasn’t going to cry. They were watching him. They were expecting something of him. So eventually he had to look down, had to engage with this, loathe as he was to do so.

Stephanie was right – his daughter was beautiful. Between the rough white of the hospital blanket under her chin and the pink hat pulled down almost to her eyes, she had the face of an angel. Long, dark eyelashes, full lips, and she did have his nose. Her skin was impossibly smooth, free of the slightest blemish. And her purple fingernails, so delicate, her fingerprints, the little dimples of her knuckles – he could have lost himself contemplating the mysteries of how they’d been able to create something so complex, so pure.

The hands those hands would hold, the fingers that would intertwine with hers. The smiles that would crease those lips. The things she would see, smell, touch, taste. The life she would live – what a life.

The ticking of the clock on the wall, the distant hum of the traffic on the spur road, cut into his thoughts. Years later, he would still be haunted by their indifference.

‘Talk to her,’ the midwife urged.

‘What should I say?’

‘Whatever your heart is telling you to say.’

He turned away from the others, gently squeezed his baby girl, gazed into her cherubic face, half Stephanie’s, half his, and he wet his lips.

‘I would have been your dad,’ he said quietly, rocking her softly from side to side. He puffed out his cheeks, fought back the tears. ‘I would give anything to have been your dad.’

‘You were her dad,’ said the midwife. ‘You are.’

‘I would have been,’ said Tom. He sniffed, tried to compose himself. ‘So what happens now?’

‘Well, I can leave you alone with her, if you’d like. There’s some paperwork to be filled out, I’m afraid, but we can sort all of that out later. For now, take some time as a family.’

Tom nodded and the midwife opened the door. ‘I’ll be back to collect her in a few minutes.’ She hesitated in the doorway. ‘The way to look at it,’ she said, ‘is that she was just born sleeping. That’s all. She was born sleeping.’

‘Do you think that helps?’

‘I do,’ said the midwife, and closed the door.

The look on Stephanie’s face broke Tom’s heart, and it was all he could do not to break down.

‘Is it true?’ she asked. ‘Is she just sleeping?’

Tom clenched his jaw. The lump in his throat was choking him. ‘Yes,’ he said. ‘She’s just sleeping. We’d best not wake her.’

Taking a deep breath, he placed Cora on the bed alongside her mother, watched as she gazed lovingly down at the little baby and gently stroked her cheek.

‘You’re so small,’ she said. ‘So beautiful. And mummy loves you very much. I’ll be here when you wake. I’ll be waiting for you forever.’ She looked at Tom. ‘Tell her you love her.’

Wiping his eyes, he managed to say, ‘I love you, sweetheart.’

‘And you’ll be there for her when she wakes up.’

‘My heart will be waiting forever for you to wake,’ he said, before, overcome, he buried his head in Stephanie’s belly, as he’d done a thousand times since they found out they were expecting.

When his sobs had finally subsided, he felt her fingers in his hair. ‘What do you think she’s dreaming of?’ Stephanie asked, so softly he almost didn’t hear her.

He looked at Cora through his tears, so peaceful, so serene. ‘I think she’s dreaming of us,’ he said. ‘She’s dreaming of all the love we’re going to give her, all the things she’s going to experience. We’re digging a sandcastle and she’s decorating it with shells. She’s playing with her toys and laughing because I’m making funny faces, and she’s cuddling her mummy and smiling because she knows she’s safe. She’s dreaming of castles and mountains and forests, horses running across the plains, and we’re always with her. Her heart is full, fit to burst with the love we share.’

He felt exhausted, battling to get the words out against the pain searing in his neck and chest.

‘Her heart is full,’ he repeated.

Stephanie continued to stroke Cora’s cheek. ‘It’s a good dream,’ she said.

‘She’s safe there, and happy, and she never has to grow up.’

Stephanie smiled, though there were tears streaming down her cheeks. ‘Then maybe it’s okay if she never wakes up. She can live forever in her dream.’

‘Yes,’ said Tom. ‘And she can visit us in ours.’

‘Then I’ll never want to wake up.’

‘Me neither,’ said Tom, and lying down on the bed beside his wife and daughter, he closed his eyes to sleep.

THE END

Copyright, Gillan Drew, 2015.

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Fingers in the Sparkle Jar review

About eighteen months ago I was asked to review Chris Packham’s nature memoir, Fingers in the Sparkle Jar, by an autism charity with links to the man himself. Presumably they thought that, as an autistic writer who lives in the New Forest like Packham, I would give it a glowing review. But I didn’t. So they didn’t publish it.

In honour of World Book Day, here it is:

Chris Packham is a man who divides people. I have met those who adore him and his animal activism, and others who cannot abide him. It should come as no surprise, therefore, that Fingers in the Sparkle Jar, his idiosyncratic memoir of his childhood, is just as divisive.

The title is, without a doubt, the best possible description for his work. A jumbled collection of vividly-drawn vignettes and intimately-rendered impressions, some magical, some shocking, all peculiarly individual, it will surely disappoint those looking for a straightforward autobiography. To read this book is to delve into a mixture of memories and imaginings, poetry and pain, as though shaking up a jar of recollections and drifting through the resulting chaos. This is the book’s main strength, and one of its key weaknesses.

While there is an overall progression – it’s the story of a boy taking a kestrel chick from a nest and raising it, in the process learning about life and death – to try to impose a linear narrative to the text seems to be to miss the point. Indeed, it has an obsessive focus on the details rather than the ‘bigger picture’, clearly representing how Packham interprets the world and mirroring the workings of the autistic mind. As a reader, however, and an autistic one at that, I found this wandering style more alienating than inviting, especially the multiple shifts from first- to third-person, and craved something – anything – that might give me a sense of direction.

It is also a particularly difficult read, both in terms of form and content. From the first page, you are struck by Packham’s individualistic writing style – long sentences packed with adjectives and multiple clauses that create a wonderful sense of a place or a feeling but make literal understanding almost impossible. Some of his sentences I had to read a dozen times to even come close to getting the gist of what he was trying to say, and this added to my frustration with the book. Furthermore, the brutal, unsentimental honesty of his writing is at times deeply uncomfortable; the depictions of bullying and animal cruelty, for example, some of it by Packham himself – a passage where he describes his fondness for eating live tadpoles stands out – are markedly unpleasant and not for the squeamish.

All of which makes Fingers in the Sparkle Jar an incredibly difficult book to review. On the one hand, it is revealing and brave, beautifully illustrating the isolation, confusion, and bullying often experienced by those of us on the Spectrum while we were growing up; and on the other, I found it both a challenge and a chore to read. Having discussed it with others, some really liked the lyricism and free form of the structure, while others, like me, struggled to cope with the poeticism and formlessness of Packham’s style. I can understand why, as a dark, individualistic depiction of a childhood living with autism and nature, it has earned bestseller status, but if you’re expecting a straightforward autobiography about how a naturalist became a TV presenter and was subsequently diagnosed with Asperger’s Syndrome, this is definitely not the book for you.

Fingers In The Sparkle Jar at Amazon

The Perils of Perfection

I am a high achiever. This might come as a surprise considering I’m a 38-year-old stay-at-home dad whose longest of nineteen jobs lasted a massive 365 days and whose highest take-home pay was a measly 16k, who has practically nothing in the bank, drives an old rust-bucket, and lives in a house owned by his father-in-law. But I am a high achiever nonetheless. And I’m here to tell you: it’s not all it’s cracked up to be.

What makes me a high achiever despite never actually achieving anything of much note? With no false modesty, I just am. I walked early, talked early, read early, wrote early. In primary school, I jumped from the first year to the third year, skipping the second. I was in an advanced English class with older children. They told my parents that the sky was the limit. I said I was going to be a novelist, and they said I absolutely could be.

At middle school I was in an advanced English and Maths class with older children, and regularly corrected my teachers’ spelling and mathematical mistakes. They told my parents I would reach the stratosphere. I said I was going to be a novelist, and they said I absolutely would be.

At secondary school I was in the top set for every subject, and started getting Level 10s for English (the highest you can get) when everyone else was getting Level 6s. They told my parents I was the most exceptional student they’d ever had in the 54 years the school had existed. I said I was going to be a novelist, and they said to remember them when I was on This Is Your Life.

In VI Form, my English Literature work was deemed third-year university standard, and I was selected to go to a politics retreat for especially bright students. They told my parents I had a gift that needed to be shared with the world. I said I was going to be a novelist, and they had no doubt I wouldn’t just be a novelist, I’d be one of the bestselling novelists in the world.

I sleepwalked through university, spending no more than two days on any assignment, and still came out with a first class BA (Hons) with distinction and the highest mark in the year. I was voted the person most likely to succeed by my peers.

I started doing Open University courses and got a Diploma of Higher Education, another degree and a Masters, earning a distinction for every module, exam and essay, whether it was humanities, arts or social science – English, History, Classics, Archaeology, Psychology or Philosophy.

I have excelled at every job I’ve ever done, be it medical secretary, student nurse, telesalesperson, administrator, public speaker or police communications officer. I have worked with famous people and for royalty, sold art to mayors, travelled solo across the United States and around New Zealand; I have spoken with James Cameron, stood beside the Queen and once saw Michael Jackson travelling down Broadway on top of a bus.

I have sailed across the Atlantic as deckhand on a tall ship; climbed 100-foot cliffs; abseiled down a mineshaft; caught a 50lb conger eel; ascended mountains; qualified as a scuba diver and a parachute jumper; played guitar in a number of rock and metal bands; acted in amateur plays; won screenwriting and short story competitions; had a book published about being diagnosed with autism as an adult; appeared on TV, in magazines and newspapers, and on the radio. I have kayaked, surfed, water skiied, disappeared into the wilderness. Last year I won a competition medal for rifle shooting the first time I picked up a rifle. I’ve done courses in blacksmithing, map-reading, survival, forensic science, private detection, web design, tai chi, sailing, Alzheimer’s, and Cognitive Behavioural Therapy. The only thing I’ve never done is walk on water.

So, I’m a high achiever. Which is weird considering I’m a 38-year-old stay-at-home dad whose longest of nineteen jobs lasted a massive 365 days and whose highest take-home pay was a measly 16k, who has practically nothing in the bank, drives an old rust-bucket, and lives in a house owned by his father-in-law.

The trouble with being a high achiever is when your achievements don’t actually amount to diddly squat in the real world. I haven’t reached the stratosphere, or This Is Your Life, or even London. I still haven’t had a novel published, despite having written ten over the past twenty years, sacrificing career and relationships in exchange for 350 rejection letters declining my entry into the hallowed halls of the literary world. I’m hardly setting the world on fire.

I mean, even Clark Griswold invented the Crunch Enhancer, a non-nutritive semi-permeable cereal varnish. I’m less successful than Clark Griswold. Puts things into perspective, doesn’t it?

I feel that if I died at eighteen, I’d have been on the front page of the newspaper – so much potential, he would’ve been great and done so much, what a tragedy. If I die now, I’ll be lucky to get a footnote in the obituaries – so much wasted potential, he could’ve been great and done so much, but didn’t, oh well.

Living as a high achiever messes with your mental health. Ten out of ten is not something to strive for; it is something to be expected every time. If I get nine out of ten, I beat myself up because it’s not good enough, damn it, I should be better. When you throw parenting into the mix – especially of two little girls aged two and zero – that’s when perfectionism is a right royal pain in the ass.

Regular readers of this blog might have noticed I’m a little obsessive over my role as father. It’s not good enough just to be a dad – I have to be the best dad who ever lived. I model myself on Supernanny Jo Frost – calm, collected, consistent, and always in control.

So now that, after two years and nine months of putting up with the crap of parenting, I have started falling short of this ideal – when the baby is screaming and the toddler joins in just for fun and I suddenly shout, ‘Oh for God’s sake, shut up the both of you before my brain starts leaking out of my ears!’ and the toddler starts sobbing ‘don’t shout at me, daddy!’ – I have been sinking into a shame spiral, thinking I’m the worst father in the world, and punishing myself for my abject failure to live up to my unrealistically high expectations.

All of which has resulted in me taking an Anxiety Management and Coping With Depression course, where I have learned four interesting things:

  1. Eight out of ten is good enough.
  2. When you’ve lived with the Black Dog nipping at your heels all your life, just getting up in the morning is an achievement, let alone looking after two kids and a heavily dependent wife.
  3. If I’m always in control around my kids, I’ll teach them that it is bad to show their emotions and they should strive to be perfect all the time, which will set them unrealistic goals and thus perpetuate the cycle.
  4. I am a human and not a robot.

To which I respond with:

  1. For whom?
  2. They don’t put up statues of people simply for getting out of bed.
  3. Fair dues.
  4. Beep boop – does not compute.

But in all seriousness, they’re right. I have to lower my sights and lower my standards, because I’m killing myself to be perfect and there’s no such thing as a perfect parent. I have to accept that sometimes I’m allowed to be ‘crap dad’. Eight out of ten is a perfectly acceptable standard to live at. And what does it matter if I never publish a bestseller?

It matters to me.

Setting aside everyone’s expectations of me, my supposed potential, all the things I ‘should’ have done, all the things I was ‘meant’ to achieve, the only pressure on me to live at ten out of ten comes from within my own head. So it’s up to me to change the thought patterns of a lifetime if I want to access that elusive thing called ‘peace of me mind’.

Can I do it? Of course I can – I can do anything!

Let’s just call it a ‘work in progress’ and see where I end up, okay?

My Life With Autism

For anybody in the Dorset/Hampshire borders region (or further afield, I’m not fussy!), I’d like to announce that I’m talking at an event on Tuesday evening, June 6, entitled ‘My Life With Autism’.

It’s hosted by Autism Wessex at Portfield School from 7:00-9:00pm and it’s free, but as spaces are limited you need to book tickets from the following link: Get Involved.

I will be talking about my journey to diagnosis, the difficulties of growing up undiagnosed, work, parenting, and day-to-day life. Along the way I’ll provide hints and tips on living with the condition that have proved helpful in my own life. There will also be the opportunity to ask questions.

I hope to see some of you there and thanks for reading!

Children with autism become adults with autism

There is a deductive argument so straightforward and sound that all intelligent, educated, free-thinking people should be able to grasp it with ease. It’s so patently obvious that I shouldn’t even need to write it down because we all just know it to be true. I will, however, because it is necessary for what follows.

  1. Autism is incurable.
  2. Children grow up.
  3. Therefore, children with autism become adults with autism.

I mean, it couldn’t get much simpler than that. You’d have to be a philosophical contortionist to somehow argue against it.

And yet, looking at the way that autism is treated, represented, categorised, theorised and mythologised, you’d be forgiven for thinking autism is a childhood disorder that disappears on your eighteenth birthday. You step up to your birthday cake a person with autism, and as you blow out the candles, lo and behold, you’re neurotypical! Hallelujah!

It strikes me as bizarre that even though we all know that children with autism become adults with autism, the latter group is virtually invisible. From the services available, to funding, to treatment, to research, to specialists, to TV programmes, to books, to websites, to expertise, it’s all heavily skewed towards children with the condition. Much of it simply vanishes as soon as a person reaches their majority, as though nobody realised that these children with needs would one day become adults with those same needs that are now, sadly, unsupported.

Go look at 100 books on autism, you’ll find that around 99 of them have children or childlike images on the cover, and contain chapters dealing with school and adolescence and how you can help your child make friends. Research the statistics on autism and you’ll find statements like, ‘1 in 88 children has autism’, when surely they mean 1 in 88 people has autism? Then try and find academic studies on autism and sex or on parents with autism and you’ll find it pretty damned hard, because the experts don’t seem to realise that autism extends beyond the first eighteen years.

When, as an adult, I spent a decade seeing psychiatrists and psychologists under the Mental Health Team, not one of them ever brought up the possibility I might have autism. When I asked to be seen by an autism specialist, I discovered there was one person qualified to diagnose adults in the whole of Dorset – a county with a population of almost 800,000 people – and she could only devote one day a week to this. When I was finally diagnosed with autism at 28 (and immediately discharged by the Mental Health Team because ‘autism isn’t a mental illness’), I went to the Learning Disabilities Team, to be told that all of their support services were for children with autism, and they had neither the funding nor the expertise to cater to adults. So that was that.

But the greatest irony, and to me the greatest illustration of this very real problem, is the book I had published last month. Now, I am incredibly grateful that it has been published and I’m gratified to learn it is helping people, but I wrote it specifically to address a shortfall in the autism literature, namely, people diagnosed with autism as adults. The book is entitled An Adult With an Autism Diagnosis. It is written for adults with autism, about adults with autism by an adult with autism. So where does it appear on Amazon?

Here’s the directory information: Health, Family & Lifestyle > Pregnancy & Childcare > Children’s Health & Nutrition.

Ever get the feeling you don’t exist?

Parenting and writing: more similar than you might think

Having had my first book published last month, I can now call myself a writer. Of course, I could have called myself a writer at any point over the past twenty-five years, since that’s how long I’ve been at it, but it always felt a little pretentious, given I have barely made a penny from it. It would be like a postman, upon being asked what he does, saying, ‘I’m a fisherman,’ because at weekends he takes a rod and some maggots to his local river and casts about for fish. While he might want to be known for doing that, it’s not exactly an accurate answer, is it?

And yet, throughout my writing life, I have met no end of people who proudly introduce themselves as writers, authors, novelists, poets and even philosophers, despite never having had anything in print. On top of this, there is a really weird thing that many of the writers I’ve met have in common: none of them actually write.

I’m always amazed by how many people pack up their laptop and go to a busy cafe, park or pub in order to write in a loud, bustling and incredibly public place. I’ve had long conversations with writers about their writing, their ideas, their characters, their themes, the depths of their literary ambitions, and how if only someone took a chance on them, they’d shake up the publishing world – all without ever having written anything. I even had a tutor on a creative writing course I was taking tell me she wanted to write a novel one day. I didn’t have the heart to tell her I’d already written eight. What’s stopping you?

It seems to me that while many writers love being writers, they don’t particularly like doing writing.

That’s understandable – writing is hard. All the other aspects of the craft – planning, plotting, themes, character biographies, working out the front cover and the blurb, giving imaginary interviews in front of the mirror and picturing your book at the top of the bestseller list – those are the easy parts, the fun parts, the parts you can do with an audience. The hard part is sitting down and actually writing, day after day, week after week, churning out tens of thousands of words, editing, rewriting, reworking. Most of that stuff you can’t do in public – you do it in private, in loneliness, in blood, sweat and tears. The only publicity is the book itself, because nobody is meant to see the struggle that goes into it.

The fact is, writers write. They don’t sit around pontificating about their ‘art’ all day, worrying about which jacket makes them look the most writer-ly, or which is the best place to write where they’ll be seen and acknowledged. They knuckle down and work. They don’t wait for inspiration to hit them. They cram it in whenever and wherever they can. Some days it’s easy, some days it’s hard. Some days you have no idea if you’re doing it right and if you’re wasting your life. But you persevere. You keep going in the faith that you’re on the right path and that tomorrow it’ll all click. You keep going not because you want to, but because you need to, because it’s in you and it’s who you are.

In this way, it’s a lot like being a parent.

It’s very easy to get caught up in the superficial aspects of parenting. You take the little one to a cafe and she sits there all well-behaved and you play a game and she laughs and an old couple comes over and tells you what a great parent you are – I love that stuff. It happens to me quite often, in fact – I can’t go a week without a stranger coming up to me and telling me how awesome I am, which makes me walk around all day with a massive head, going, ‘Oh yeah, I’m the shiznit.’

Trouble is, sitting in a cafe playing with a well-behaved child as you bask in the adoration of the public is not all that different from the writer who sits in the pub and delights in telling people about the books he intends to write when his writing credits to date total zero. You’re wallowing in the glory of being a parent, without actually doing any parenting. Because parenting, like writing, can be bloody difficult.

A good parent, just like the good writer, does most of their work unseen. They do it day in, day out, and all through the night, despite the aching spine, the headaches and the tiredness. They face the monotony, the boredom and the isolation with stoic fortitude. They work, work, work, because they have no choice but to do so. They get pushed to the edge but keep their cool somehow; cuddle a kicking, screaming toddler at two in the morning when all they want to do is stay in bed; and endure the torture of a hundred mealtimes in a row that involve more tears and thrown food than spoonfuls successfully swallowed.

Sometimes they’re driven to tears themselves. Sometimes it seems utterly hopeless, and they don’t know how they can possibly get through it all. Sometimes nothing seems to work. But they still get up and do it, because it’s the only thing they can do.

The mark of a good parent is not measured by being good when everything is going well – it’s how you do when your precocious twenty-two month old is driving you up the wall by testing you, pressuring you, challenging you, from dawn to dusk each day and then again from dusk till dawn. It’s measured by what you do when you’re in a cafe and your little one is screaming bloody murder, by how you react when they’re not behaving themselves, by whether you can remain calm when everyone’s looking at you and judging you for the behaviour of your child.

Nobody sees the work that goes into a book, just as nobody sees the work that goes into a child. By the time it is ready to be released into the world, you have poured far more of your heart into it than you even thought you had in you to give. But when all is said and done, you’re only assessed on the finished product, not the work that went into creating it. So you just have to press on in the faith that one day it’ll all come good. And then maybe your kid will write that bestseller that eluded you so long!